[Mediaevistik] [Fwd: Re: [Fwd: book announcement: Lara J. Moore, _Restoring Order_]]

[Bjoern Kley]

Das hier wohl tatsächlich ebenfalls,

Björn Kley

-------- Original-Nachricht --------
Betreff: Re: [Fwd: book announcement: Lara J. Moore, _Restoring Order_]
Datum: Thu, 12 Jun 2008 08:26:22 +0200
Von: Dr. Susana Zapke <SZAPKE.FBBVA at telefonica.net>
An: Bjoern Kley <b.kley at trilithium.de>

Lieber Herr Kley,

Eventuell ist folgende Publikation ebenfalls für die Liste vom Interesse.

Herzliche Grüsse

Ihre

Susana Zapke

Publication date: December 2007 in English and Spanish.
Book dimensions: 24,5 × 30 cm
iSBn (Spanish): 978-84-96515-49-9
iSBn (English): 978-84-96515-50-5


HISPANIA VETUS
Musical-Liturgical Manuscripts: From Visigothic Origins
to the Franco-Roman Transition (9th-12th Centuries)
Edited by Susana Zapke
Fundación BBVa, 2007
One of the features particular to the liturgical history of the Iberian
Peninsula is the existence of a local tradition, the Hispanic rite
(known also as the Visigothic or Mozarabic rite), whose structure
was fully consolidated by around the year 700. This book offers
a detailed analysis of a key episode in Iberian liturgical history, the 
transition from the Hispanic to the Franco-Roman rite, in a process 
ranging from the first Visigothic sources to the newly introduced 
Franco-Roman ones. The
period between the 9th and 12th centuries was one of profound change in
the political, religious and sociocultural structures of the Iberian 
Peninsula,
coinciding with a liturgical reform fostered by Rome and channelled 
through a broad network of centers throughout the Carolingian Empire.
In the first part of this study, nine leading researchers examine the 
Visigothic corpus and the process of transition from a range of 
disciplinary perspectives—textual and musical paleography, philology, 
history and musicology—making innovative contributions to the current 
state of research. The second part of the book complements this 
interdisciplinary approach with a description of a selected corpus of 89 
liturgical-musical manuscripts, representing different formal
typologies, periods and cultural areas in the Hispanic territories. The 
manuscripts are presented using the different systems of Iberian 
notation—Visigothic, Catalan, transition systems and Aquitaine—following 
a chronological order. The catalog description of the sources is 
accompanied by a painstaking full-page colour reproduction, allowing 
readers to enjoy a historical and artistic treasure which in
most cases has never before been published. The work will be of great 
interest to musicologists, philologists, paleographers, codicologists 
and historians, but also to a non-specialist public interested in
learning more about a somewhat obscure part of written cultural heritage:
a historical period marked by an ecclesiastical focus, paralleling a 
renewed Christian spirit and a fresh sense of European consciousness.

 
             Book Contents
 
             Foreword by Anscari M. Mundó
 
             Introduction by Susana Zapke
 
             Part I: Research
 
               • Vones, Ludwig. “The Substitution of the Hispanic
 
                 Liturgy by the Roman Rite in the Kingdoms of the
 
                 Iberian Peninsula”
 
               • Huglo, Michel. “The Musica Isidori Tradition in the
 
                 Iberian Peninsula”
 
               • Díaz y Díaz, Manuel Cecilio. “Some Incidental Notes
 
                 on Music Manuscripts”
 
               • Azevedo Santos, Maria José. “Paleographic
 
                 Tendencies in 10th-12th Century Notated Liturgical
 
                 Fragments from Portugal”
 
               • Castro Caridad, Eva M.a “The Hispanic Texts In
 
                 Diem Circumcisionis Domini”
 
               • Iversen, Gunilla. “Osanna Vox Laudabilia. Vocabulary
authors: Maria José Azevedo Santos, M.a Dolores Barrios, Màrius Bernadó, 
               and Compositional Forms in Sanctus Tropes in
 
                 Iberian Liturgical Manuscripts”
Susan Boynton, Eva M.a Castro Caridad, Manuel Cecilio Díaz y Díaz, Marco
Daniel Duarte, Maricarmen Gómez, Ramón Gonzálvez Ruiz, Miquel S. Gros, 
              • Gómez, Maricarmen. “From the Iudicii Signum to
Barbara Haggh, Michel Huglo, Gunilla Iversen, José López-Calo, Shin 
Nishimagi,         the Song of the Sybil: Early Testimony”
M.a Concepción Peñas García, Elisa Ruiz García, Miguel Carlos Vivancos, 
              • Haggh, Barbara. “The Historia for St. Dominic of Silos
Ludwig Vones, Susana Zapke. 
                in British Library, Add. ms. 30850”
Susana Zapke (Ed.) holds a degree in Romance Philology and Musicology 
              • Zapke, Susana. “Notation Systems in the Iberian
from the University of Cologne and a PhD in Musicology from the 
University             Peninsula: From Spanish Notations to Aquitainian
 
                 Notation (9th-12th Centuries)”
of Hamburg. A lecturer at the universities of Cologne, Stuttgart, Salamanca
and Vienna, she has been collaborating as scientific researcher with the 
BBVA      Part II: Catalog of Manuscripts
Foundation (Madrid) since 2003. Her main research interests are: medieval
 
               • Map: Production Centers in the Iberian Peninsula
musical-liturgical sources, the poetic-musical genres of the Renaissance and
 
                 and the South of France
the musical transition to modernity (second Viennese school). Among her
publications are: El Antifonario de San Juan de la Peña, siglos x-xi 
(1995), Das     • Catalographic description of 89 musical-liturgical
 
                 manuscripts
Antiphonar von Santa Cruz de la Serós, xii Jh. (1996), Falla. Entre la 
tradición y
la vanguardia (Ed.) (1999), Alban Berg-Hanna Fuchs. Un amor epistolar (Ed.)
 
               • Bibliography of the Catalog of Manuscripts
(2005) and Fragmentos litúrgico-musicales de la Edad Media en archivos de
Aragón (2007).